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Go Guitars - Premium Acoustic & Electric Guitars for Beginners & Professionals | Perfect for Live Performances, Studio Recording & Home Practice
Go Guitars - Premium Acoustic & Electric Guitars for Beginners & Professionals | Perfect for Live Performances, Studio Recording & Home Practice
Go Guitars - Premium Acoustic & Electric Guitars for Beginners & Professionals | Perfect for Live Performances, Studio Recording & Home Practice

Go Guitars - Premium Acoustic & Electric Guitars for Beginners & Professionals | Perfect for Live Performances, Studio Recording & Home Practice

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Description

2014 release from the Austin, TX-based Indie band featuring former members of Mountain Goats, John Vanderslice Band and Ringo Deathstar. She Sir is Russell Karloff (vocals, guitar, bass), Matthew Grusha (vocals, bass, guitar), Jeremy Cantrell (guitar) and David Nathan (drums). These 10 tracks cover the vast overlap between My Bloody Valentine's guitar experimentations, Fleetwood Mac's soulful rhythm and bass, and Phil Spector's skewed, wall-of-sound arrangements. The record also draws inspiration from '80s pop heroes the Go-Betweens, Pylon, and Felt. Motivated by the appetite for reinvention, She Sir have established a sound that is both modernistic and illuminating, yet faithful to the spirit of decades past. Edgy phrasing, driving rhythms, and multi-textured guitars, along with plenty of lush reverb-soaked pop sensibilities, make up the She Sir aesthetic.

Reviews

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- Verified Buyer
Let's cut through the chase: Go Guitars is a first rate guitar pop album. Layers upon layers of guitars fill every song -- most of them are of the echo-y, reverb-y kind, much like what British indie exponent Felt was offering back in the 80s, or what dream poppers Lush were concocting in the early days of their career. This six-string wall of sound wouldn't matter much, though, if She Sir didn't use it to wrap some catchy songs. (We're talking about "guitar pop" after all, and not "guitar avant-garde".) Well, thankfully these Austin-based boys did. The combo of excellent songwriting and layers of guitar hooks is further supported by a solid rhythm section, inspired more by the warm rhythms of Fleetwood Mac than the tinny-sounding drums and bass of 80s indie. The result is akin to what Wild Nothing was aiming for on their second album, Nocturne -- only with a presumably smaller recording budget and lower exposure. Which is a shame, really. Based on their work in this, their debut album, She Sir deserves to be more generally known. (A couple words on the vinyl version: it's nicely pressed, with no audible surface noise and comes in an apt electric blue color. All in all, another great presentation by the folks at Shelflife Records.)